(Last updated 03/10/2008)

USER COMMENTS ABOUT THE ORIGINAL MIC2496

The "$1000 Challenge"

William Haven coordinated the "$1000 Challenge" for the Nature Recordists group on Yahoo. Their goal was to find the best preamp and recorder for nature recording with a cost of less than $1000. The results of the test can be reviewed here:

http://www.uwm.edu/~type/audio-art-tech-gallery/pages/1K-744-HD-HB-Mic24-NH-AresM_AIFF.mov-present.html

He wrote:

To my ear, the Mic2496 was every bit as quiet as the Sound Devices 744t, Tascam HD-P2, and HHB MDP500, three highly regarded recorders. The [original] Mic2496 performed better than the Sony Hi-MD machine and Nagra ARES-M in this test.

My conclusion is that the [original] Mic2496, in combination with an inexpensive recorder with digital input like the M-Audio Microtrack 2496, makes an excellent field recorder, worthy of use with the quietest microphones. The Mic2496's small size and light weight are most welcome when carrying gear in the field.

I also found the Mic2496 to have a remarkably rugged construction. It's considerably stronger than I expected from the photos. I appreciate the locking toggle switches.

G.W., in Regina (Canada), wrote:

I just wanted to drop you a note and thank you for the Mic2496 and compliment you on its performance. It arrived a while ago but I just got around to making up my cables and giving it a test. I'm using a Rode NT-4, stereo microphone into an MAudio Microtrack. The Rode is great but the analog of the Microtrack is actually quite noisy. I tried an external mic preamp and it was the same; the line in was just as noisy. I then ran into an external AD converter and it was very good, but it was no longer portable. The Mic2496 seemed like the thing to try next. I made a SPDIF cable and one 5 pin cable that goes from the Mic2496 jack to the 5 pin of the Rode. It's very sleek. More importantly, it sounds great! Very clear, noise free and HiFi. Great job and thanks!

B.K. wrote:

I've been having super results with the Mic2496/PDAudio and Live2496 at 24/88.2 on my HP hx4705 with 1GB SD cards. The media change has been going without a hitch--though I'm looking into the PPCTechs memory upgrade for more gap file room. Got the KU-100 [Neumann's binaural heard]. Very pleased! The reproduction through headphones is, of course, uncanny, and the imaging across loudspeakers is some of the best I've heard.

S.A. wrote:

...used the Mic2496 on a session with a [Neumann] TLM-103 and got excellent results. It's a really handy and good sounding preamp.

C.W., using Mic2496 with a set of our HEB/4062 microphones, wrote:

Recording has gone quite well on the US Navy's Strike Force flight line in at the Oceana Naval base. The Mic2496 and PDAudio-CF worked flawlessly and allowed us to capture realistic F18 noise data that we are now using for simulation testing of speech recognition in the presence of jet noise. Thanks for a great product!

J.N. wrote:

I went out Saturday and used the rig again, worked great. ... It was outdoors at a street festival and someone actually approached me and asked if that was "that Core Sound preamp." He had seen them online, but never one in person. People seem to get really giggly when they see how compact everything is.

G.E. wrote:

...I love the sound, it is what I hoped to get but was not quite certain that it was possible. Thanks again for working to get this technology out to people like me.

P.C., a taper in Canada using a set of HEBs with Mic2496, wrote:

...I put them to use the next day after I met up with you in Teaneck. For copyright reasons I can't tell you who's playing...

...It was recorded in .wav with my NJB3 then slightly edited with Adobe Audition. The mics were clipped between the first row and the performers at about 30 cm distance from each other. It's amazing how much headroom there is on this setup! It wasn't even clipping during the applause. Very crisp yet warm. Thank you again.

E.M., a taper in France, wrote:

Bravo for the sound quality of the Mic2496!

H.O. wrote:

...the results are better than I'd hoped, so thanks so much.

...I'm delighted with the results

S.K. wrote:

replaced a sony dat with core-sound mic 2496, pda audio cf interface, ipaq 5150 with gidluck live 2496, nexian dual slot expansion pack (for the tiny size) and a couple of 2 gb cf (sandisk standards) HEB 4060 mics. so far so good, stable 24/48 !

wow. simply stunning sound, unparalleled accuracy. these are the *ultimate* portables, very stealthy indeed, no prob. progressive company, they even provided outstanding support to get me (amateur recordist/audiophile/pc moron) up and running.

highest recommendation, exceeded expectations !

M.F. wrote:

I really like the mic2496, and I really appreciate the improvements (the new switches..) you have made. I am using it with an Iriver IHP 140 and it works really great!

R.B., on the Yahoo PenComputingAudio mailing list, wrote:

...I've been using the following system to capture classical concerts and chamber music performances:

Core HEB mic set (DPA 4060), configured for Mic2496
Mic2496
6-inch Toslink-to-Miniplug Optical Cable
PDAudio-CF
HP iPAQ 2210
Live2496 software
1 GB SD cards

...The CDs I've produced using this system have been outstanding. I typically give a CD to each of the performers (including my wife, a Violist) and all have been quite impressed and pleased.

...Last year at this time it was not clear that anyone was routinely capturing live recordings using PDAs. This year, even an inexperienced taper such as myself can expect to capture remarkably high quality live recordings each and every time.

J.K, a an independent film producer and location sound engineer in NYC, wrote:

...Been playing around with my iRiver iHP-120 with the Core Sound Mic2496 and a pair of DPA 4060s for location sound (ambience) and gotta say the results are sweet. Since the Mic2496 is sending a straight optical signal to the iRiver, there's basically no noise. And, to my surprise, the iRiver actually records in 16bit/48khz wav files.

I also had Len Moskowitz at Core Sound rig up an XLR adaptor to split the signal from my boom mic into two channels. I set the Mic2496 to two different levels to capture a full spectrum of volume. (Basically, one is set low in case someone shouts). The boom operator carries the Mic2496 and the iRiver and it's possible to monitor the iRiver in real time.

...I know, i'm crazy. I just look to see if the Mic2496 goes red, I know I'm clipping. I back off both channels from there and then back off one channel even more. The preamp/iRiver is very very quiet and clean so even if the preamp is set very low, I can boost the volume in post without noise. With two channels, I'm assured at least one hasn't clipped.

So what i have is: A hard-wired boom (without any cords to the camera or DAT) recording pristine 16bit/48khz location sound (without the need for the "sound guy" riding the gain) that can be imported into my computer via USB 2.0 in a matter of seconds, all for about $900 (not including the mics). not bad.

Thanks to Len at Core Sound. Sorry if this sounds like a plug.

M.P. wrote:

I wanted to take a moment and express my satisfaction with my new recording setup. I purchased a set of your HEB4060's along with your new Mic2496 preamp & PDAudio card. I'm currently running an HP IPAQ 5555 with dual card expansion pack for the PDAudio card and 5gb drive. Software being used at present is Pocco 's Wichita and Gidlucks Live 2496.

I've had several good recording sessions with great results. The HEB4060's sound absolutely incredible. Several listeners are amazed with the sound quality from such a small microphone setup. I started out a few years ago with a DAT deck and have also used a laptop on several occasions for recording. I find the PDA combined with your products my favorite. I highly recommend it.

J.G.S. (P.E.), using PDAudio-CF, Mic2496 and HEB/4060, wrote:

The other day I was making recordings in the anechoic chamber and kept noticing a "tick-tick-tick" my recordings at ambient (about 15 dBA). Turned out, it was my MagicStor CF drive. At first I was bummed. Then, I realized I had just made a high fidelity recording of one of the quietest devices one could possible work on. So, it looks like its solid state CF memory for my application but the signal to noise ratio and fidelity are awesome.

B.W. (CAS, MPSE, AMPS), an audio professional in Georgia, wrote:

I have been recording sound effects for some of the projects I have been posting and absolutely am thrilled with the sonic quality of the Audio card [PDAudio-CF] and Mic 2496. Both stereo and mono recordings are truthful reproductions of the sounds recorded and the portability of the 'system' is something I have been looking forward to for many years.

Brian Dipert, an editor for EDN Magazine, wrote:

I'm doing something I've been contemplating for some time. I'm selling all my DAT-related gear. I can frankly think of no better testimonial to the capability of both the hardware and software I tested at ACL...

(You can read his ACL music festival comments here. You can see Brian's earlier two-part article about PDAudio-CF and Mic2496 in the May 29th and June 12th issues of EDN Magazine. Click here to see Part One of that article, and here for Part Two. )

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