(Last updated 05/09/2018)
March 18, 2018: We are pleased to introduce
OctoMic, the first 2nd-order ambisonic microphone!
You may order from the online ordering page - see the link in the
QuickClicks at the right side of this page. First shipments are expected
in early April.
Core Sound is pleased to offer its groundbreaking OctoMic. OctoMic is the world's first
2nd-order ambisonic microphone.
OctoMic is the ideal microphone for recording Virtual Reality (VR)
projects, including cinema, video games, music and ambience. In
post-production, OctoMic allows users to define arbitrarily complex
microphone configurations, and to dynamically track sound sources in
space. During playback, it allows for dynamic head-tracking and an
unlimited number of playback speaker configurations.
Pair it with a suitable eight-track digital audio recorder, and it's
ready to record. We recommend pairing OctoMic with the Sound
Devices MixPre-10T or the Zoom
OctoMic offers significant improvements over 1st-order ambisonic
microphones. The improvements are particularly attractive for cinema,
gaming, music and ambience, for three important reasons:
- It is far better at preserving the perceptual cues necessary for a
listener to precisely locate sound sources.
- It provides a much larger "sweet spot" for listeners. While
first-order ambisonic microphones have a "sweet spot" around the
size of a human head, OctoMic's "sweet spot" can accommodate multiple
listeners without degrading a recording's sound location perceptual
- OctoMic can be used 50% farther away from the sound source while
maintaining the same directivity index.
Like TetraMic, OctoMic's frequency response is exceedingly flat and
extended. Its bass response extends below 30 Hz, and its treble response
above 18.5 kHz. Its dynamic range extends from the very quiet of a fine
recording studio to the roar of a jet engine at close range. TetraMic's
self-noise specification is excellent, but OctoMic improves on it by 3
Like TetraMic, each OctoMic is individually aligned using a
exceedingly effective measurement and calibration procedure. It is
delivered with its own unique calibration file. This ensures that all
OctoMics are perfectly matched to deliver excellent results. This unique
feature allows OctoMic to retain its fine performance over time because
it can be recalibrated as it ages. This critical feature is absent in
other ambisonic microphones. (We recommend recalibrating OctoMic every
two or three years, depending on your application.)
OctoMic's size is another valuable feature. Only slightly larger than
the tiny TetraMic, OctoMic is much smaller than any other ambisonic
microphone. This is a significant tech advantage because it is much
easier to hide during VR360 shooting, and reduces the need to edit out
the microphone image in post-production.
OctoMic comes with a VST plug-in to perform A- to B-format
conversion. The plugin outputs standard 9-channel 2nd-order
B-format. The output has been tested and confirmed to work with the most
popular DAWs and the Facebook 360 Spatial Workstation. The plug-in
operates on Windows and Mac PCs. Linux is also supported.
Once in B-format, the recording can be decoded to any number and type
of coincident microphones, each oriented in any desired direction and
having any desired pickup pattern. OctoMic can function as the world's
finest Blumlein array, and when used as an omni microphone, is equal to
the world's best, including the DPA 4003 used for calibration.
In addition to modelling any number and type of spatially coincident
microphones, OctoMic can model spaced microphone arrays (e.g., ORTF,
Decca Tree, Double MS, ORTF-3D, ORTF Surround, Hamasaki Square, Fukada
Tree, INA, PCMA-3D) by using more than one OctoMic. Please compare
OctoMic's cost and performance excellence to other spaced array
By using a head motion tracker in your editing suite, OctoMic's
recordings can dynamically track a listener's head motions, and present
the correct spatial location cues for all sound sources. The apparent
orientation can be rotated, tilted, tumbled or zoomed at will.
The nine channels of B-format can also be interpreted into almost
any playback format, including:
- mono (without "sum to mono" phase cancellation issues)
- binaural, using individualized or generic HRTF information
- four speakers arranged as a square or rectangle
- six speakers arranged as a regular or irregular hexagon
- 5.1 (ITU)
- any of the above plus height information (e.g., two hexagonal arrays of
speakers, one above the listener and one below)
- and many, many more.
Summing up, OctoMic allows your audio projects to have unparalleled
flexibility in post-production.
How good a microphone is OctoMic? We believe OctoMic has the
flattest and most extended fig-8 response of any commercially available
microphone, bar none (including TetraMic); so it's among the best Blumlein arrays in the
world. Its free-field omni response is not quite as good as a Bruel &
Kjaer 4133 1/2-inch measurement microphone; it's only as good as the
wonderful DPA 4003 that we use for calibration -- i.e., sensational!
However its diffuse-field response is better than the 4003. This
combination of capabilities makes OctoMic one of the world's finest
Until now, you couldn't buy a 2nd-order ambisonic microphones at any
price. Most much less capable 1st-order ambisonic microphones are priced
between $2000 and over $20,000. OctoMic is priced under $2000, including its
processing software and all hardware, including cables.
OctoMic is more than eight microphone capsules on a precision
machined mount. Building an OctoMic starts with a large batch of
carefully assembled microphone capsules, pre-selected for sensitivity
and frequency response. Each capsule is then exhaustively tested for
sensitivity, frequency response, directivity pattern and other
parameters. We select eight well-matched capsules and confirm their
compatibility. Then another round of exhaustive testing begins, this
time for the complete eight capsule assembly. All in all, each OctoMic
undergoes more than seven hours of assembly, testing and calibration.
Each OctoMic exits the test phase with its own calibration and
correction files, used with its A-to-B-format VST encoder plug-in to
ensure that each OctoMic is a fine example of one of the best sounding
microphones in the world.