Want to know how mics from other manufacturers compare to our mics?
We can tell you -- just ask! Send email to:
moskowit@core-sound.com
One of the most important features that make our mics special are the
modifications we perform on the mic capsules. No other manufacturer
offers such modifications. The modifications add over 20 dB of dynamic
range, dramatically reduces distortion at higher sound pressure levels,
flattens the frequency response, reduces the microphones' self-noise
(hiss), and better matches the microphones' sensitivity to popular DAT
and MD recorders' microphone pre-amps to eliminate mic pre-amp overload
problems. The results are crystal clear recordings of even the loudest
concerts, recordings that capture the fine details of delicate musical
passages and low noise.
Comparing our Core Sound Binaural mics to a pair of mics with unmodified
microphone capsules, here's what one customer said:
I have recorded about 10 hours worth of music with either set of
microphones on a Sony MD R-50 [MZ-R50] recorder. Both sets of mikes
worked very well. I record classical chamber and ensemble music
concerts played by myself or my friends, for our own personal use. I
also plan to use recording to help in practicing and rehearsals.
While you seem to advertise the primary advantage of the [Core Sound
Binaural] mikes as being in recording very loud sound sources, I hear a
clear increase in sound clarity and a clear decrease in the noise level
with the [CSB mics], even at fairly low sound levels. While the
[unmodified mics] would be quite sufficient for recording rehearsals for
learning purposes, the [Core Sound Binaural mic] gives recordings of
recitals that sound "fairly-near-to-professional,"though not quite as
good a job as our university A/V engineers do with about $3000 worth of
equipment. But quite good enough to already be hunting around as to who
would transfer my second-ever MD recording to 30 CD-R copies at a
reasonable rate. ...
Thanks from a satisfied customer.
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